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GLaDOS commission for Immolater.
Another day, another comic. I didn’t intend people to see this one at first, but then when I finished it I rather liked it, so here you are.
I may be selling a nice shiny print version of this at the London MCM later this month, but it depends on the printer’s competence, so we’ll see. In any case, anyone who cares to can see it now.
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I just had to make a self-portrait for a con publicity website. I never draw myself, my cravat or skull (which is broken now and does not blow raspberries) so here’s that.
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Unless you vish to exit zhis room in more pieces zhen you entered I vould suggest you leaveā¦. now!
Artist: ~Liquidsilk
(via nuderefsarebest)
I’ve been talking to agents agent about getting a book of short graphic stories published. One wanted a sample sequence - I don’t fancy my chances impressing them, but here’s the sequence anyway, from a story called ‘Atychiphobia’.
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The only emoticon I use is this: ^.—-.^ which, though you’d never know by looking, is meant to be an animal that lives on ceilings, and experiences a range of emotions so I don’t have to. I’m not actually good at making up or using emoji, so there we go. Milklegs told me to draw said Ceilingbeast, so I did.
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Lately I’ve been having to do quite a few digital sketches and then distort them so they look like they’ve been drawn in a book someone’s looking at over someone else’s shoulder. This means whoever sees them in their final iteration won’t be seeing them at their best: I like this one, so here it is without being wrecked by SAI’s free distort tool.
I’ve put up two semi-old comics on my site - the Smallish Guide to Etiquette and The Knot of Heaven, plus the first chapter of Fare Forward Travellers.
4-ish hour portrait done at Zizi’s. Yes, another left-facing blue-hued painting of a face; a theme develops.